"King Lear and the Fool in the Storm" by William Dyce (१८०६–१८६४)

किङ लियर महान अङ्रेजी नाटककार विलियम शेक्सपियरद्वारा लिखित विश्व प्रसिद्ध नाटक हो।



सन्दर्भ सामग्रीसम्पादन



Secondary sourcesसम्पादन

  • Armstrong, Alan Unfamiliar Shakespeare in Wells and Orlin pp. ३०८–३१९.
  • Brode, Douglas (२००१), Shakespeare in the Movies: From the Silent Era to Today, Berkley Boulevard, आइएसबिएन 0-425-18176-6 
  • Burnett, Mark Thornton; Ramona Wray (२००६), Screening Shakespeare in the Twenty-First Century, Edinburgh University Press, आइएसबिएन 978-0-7486-2351-8  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Burt, Richard Backstage Pass(ing): Stage Beauty, Othello and the Make-up of Race in Burnett and Wray pp. ५३–७१.
  • Dawson, Anthony B. International Shakespeare in Wells and Stanton pp. १७४–१९३.
  • deGrazia, Margreta; Stanley Wells (२००१), The Cambridge Companion to Shakespeare, Cambridge University Press, आइएसबिएन 0-521-65881-0  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Gay, Penny Women and Shakespearean Performance in Wells and Stanton pp. १५५–१७३.
  • Gillies, John & Ryuta Minami, Ruri Li and Poonam Trivedi Shakespeare on the Stages of Asia in Wells and Stanton pp. २५९–२८३.
  • Greenhalgh, Susan and Robert Shaughnessy Our Shakespeares: British Television and the Strains of Multiculturalism in Burnett and Wray pp. ९०–११२.
  • Guntner, J. Lawrence Hamlet, Macbeth and King Lear on Film in Jackson (a) pp. ११७–१३४, especially the section King Lear: A Play For Our Times pp. १२८–१३२.
  • Gurr, Andrew; Mariko Ichikawa (२०००), Oxford Shakespeare Topics: Staging in Shakespeare's Theatres, Oxford University Press, आइएसबिएन 978-0-19-871158-2  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Hodgdon, Barbara; W. B. Worthen (२००५), A Companion to Shakespeare and Performance, Blackwell Publishing, आइएसबिएन 978-1-4051-8821-0  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Holland, Peter Shakespeare in the Twentieth-Century Theatre in deGrazia and Wells pp. १९९–२१५.
  • Howard, Tony Shakespeare's Cinematic Offshoots in Jackson (a) pp. २९५–३१३.
  • Jackson, Russell (a) (२०००), The Cambridge Companion to Shakespeare on Film, Cambridge University Press, आइएसबिएन 0-521-63975-1 
  • Jackson, Russell (b) Shakespeare and the Cinema in deGrazia and Wells pp. २१७–२३३.
  • Jackson, Russell (c) Shakespeare on the Stage from १६६० to १९०० in Wells (a) pp. १८७–२१२.
  • Lan, Yong Li Shakespeare and the Fiction of the Intercultural in Hodgdon and Worthen pp. ५२७–५४९.
  • Lehmann, Courtney The Postnostalgic Renaissance: The 'Place' of Liverpool in Don Boyd's My Kingdom in Burnett and Wray pp. ७२–८९.
  • Marsden, Jean I. Improving Shakespeare: from the Restoration to Garrick in Wells and Stanton pp. २१–३६.
  • McKernan, Luke; Olwen Terris (१९९४), Walking Shadows: Shakespeare in the National Film and Television Archive, British Film Institute, आइएसबिएन 0-85170-486-7  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Moody, Jane Romantic Shakespeare in Wells and Stanton pp. ३७–५७.
  • Potter, Lois Shakespeare in the Theatre, १६६०–१९०० in deGrazia and Wells pp. १८३–१९८.
  • Rosenthal, Daniel (२००७), 100 Shakespeare Films, British Film Institute, आइएसबिएन 978-1-84457-170-3 
  • Schoch, Richard W. Pictorial Shakespeare in Wells and Stanton pp. ५८–७५.
  • Shakespeare, William; R. A. Foakes (ed.) (१९९७), King Lear, The Arden Shakespeare (Third Series) Methuen Drama, आइएसबिएन 978-1-903436-59-2  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Shakespeare, William; G. K. Hunter (ed.) (१९७२ & १९९६), King Lear, New Penguin Shakespeare।  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Shaw, George Bernard and Edwin Wilson (ed.) Shaw on Shakespeare (१९६१) Applause ISBN १-५५७८३-५६१-६
  • Tatspaugh, Patricia Performance History: Shakespeare on the Stage १६६०–२००१ in Wells and Orlin pp. ५२५–५४९.
  • Taylor, Gary (a); Warren, Michael, सम्पादकहरू (१९८३), The Division of the Kingdoms: Shakespeare’s Two Versions of King Lear, Oxford: Clarendon Press, आइएसबिएन 978-0-19-812950-9 
  • Taylor, Gary (b) Shakespeare Plays on Renaissance Stages in Wells and Stanton pp. १–२०.
  • Taylor, Michael The Critical Tradition in Wells and Orlin pp. ३२३–३३२.
  • Thomson, Peter The Comic Actor and Shakespeare in Wells and Stanton pp. १३७–१५४.
  • Warren, Roger Shakespeare on the Twentieth-Cantury Stage in Wells (a) pp. २५७–२७२.
  • Wells, Stanley (a) (१९८६), The Cambridge Companion to Shakespeare Studies, Cambridge University Press, आइएसबिएन 0-521-31841-6 
  • Wells, Stanley (b) (१९९७), Oxford Shakespeare Topics: Shakespeare in the Theatre, An Anthology of Criticism, Oxford University Press, आइएसबिएन 978-0-19-871176-6 
  • Wells, Stanley; Lena Cowen Orlin (२००३), Shakespeare: An Oxford Guide, Oxford University Press, आइएसबिएन 0-19-924522-3  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)
  • Wells, Stanley; Sarah Stanton (२००२), The Cambridge Companion to Shakespeare on Stage, Cambridge University Press, आइएसबिएन 0-521-79711-X  |coauthors= प्यारामिटर ग्रहण गरेन (सहायता)

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